Description: Rechargeable, portable table lamp providing a diffused warm glow with three-step dimmer on stem.

Production Process: The base and the lamp shade are molded in polycarbonate (PC).

Materials: Molded polycarbonate (PC) base, stem and shade; dimmer button in brass.

Product Dimensions: Base: 5.5"Ø; shade: 9"Ø; total 8.8"H

Product Weight: 1 pound.

Packaging Dimensions & Weight: 9"L x 9"W x 11.4"H; 3 pounds.

Light Source: G4 3.6V; Max 3 watt LED. Dimmable LED bulb (3W, 2800K, CRI 80, 225lm) is included.  Estimated LED lifetime 25,000 hours.

Battery: Rechargeable Li-Ion 18650 2600 mAh 3.6V; charging time: 8 hours; operating time (highest light): 10 hours.

Charging Cord: 47" long black PVC Micro USB cord. 

Certification: CE; IP43.

Environment: For use in indoor and in dry outdoor conditions. Must be stored indoors.

Care Instructions: Dust with soft dry cloth or wipe with damp cloth using water only and drying thoroughly. Always switch off before cleaning.

This one-of-a-kind vase is made from a solid piece of buckeye burl, a native California wood. It is hand turned and carved in my studio in Oakland, CA. This special wood has a unique grain that differs from every angle. Gorgeous with just a single flower or two, this piece is a wonderful addition to any home. Glass vial included with purchase for fresh flowers.

Size: Approx. 2" dia x 3.5" h
Material: Buckeye Burl

Artist - Melanie Abrantes

11 inches high

Quail’s avian vase makes a playful addition to your home menagerie.

Crisply cut floral arrangements will be playfully showcased by this vase from Quail. Specialising in quirky British homeware with a strong emphasis on fun, Quail’s painted stoneware pieces are irresistibly collectible. Each creature is designed in the brand’s Midlands studio, drawing inspiration from across the animal kingdom in their quest to create fun and practical pieces for a character-filled living space.

Elegant and rustic in equal measure, the CANYON PLATE is created by layering and mixing multiple colored clays.

The well of the plate is glazed in a glossy clear glaze while the lip is left raw, creating a dynamic look and feel.

Comes in two sizes, Dinner Plate 9” and Breakfast Plate 7.5”

Dishwasher safe but not recommended.

Artist - Ivy Weinglass

Inspired by smooth flowing lines, the Drift Earrings are lightweight, wearable sculptures.

Recycled sterling silver with 18ct gold plating
Drop: 7.5cm
Width at widest point: 2.8cm

Handmade and finished by skilled artisans in Bali, each piece is unique and slightly different.

These earrings are delicate, please handle with care. 

For hygiene reasons we cannot accept returns for earrings.

A visual feast of flowers, abstractions, cityscapes and landscapes from American modernism’s most iconic painter

Offering a complete survey of Georgia O’Keeffe’s illustrious career, this magnificent new book ranges from the works produced between 1910 and 1920 that made her a pioneer of abstraction to her celebrated flower paintings and views of New York, which led to her recognition as one of the key figures in modern American art, and culminating with her paintings of New Mexico.

The selection of color plates is accompanied by quotes from O’Keeffe on her art and additional photographic material pertaining to the paintings. The sense of reverence for the world and its forms emerges vividly through O’Keeffe’s words. “The unexplainable thing in nature that makes me feel the world is big far beyond my understanding—to understand maybe by trying to put it into form,” she writes. “To find the feeling of infinity on the horizon line or just over the next hill.”

Also featured are a biography and texts by contributing curators from the venues to which the show travels, by scholars at the Georgia O’Keeffe Museum in Santa Fe and by acclaimed French art writer Catherine Millet.

Georgia O’Keeffe (1887–1986) began her art training at the School of the Art Institute of Chicago and the Art Students League of New York. She moved to New York in 1918, and in 1924 married Alfred Stieglitz. From 1929, O'Keeffe began spending part of the year in the Southwest, which served as inspiration for her paintings of New Mexico landscapes. After Stieglitz's death, she lived permanently in New Mexico, in Abiquiú, later moving to Santa Fe.

• Publish Date: June 22, 2021
• Format: Hardcover
• Category: Art - Individual Artists - Monographs
• Publisher: Rizzoli Electa
• Trim Size: 9-1/2 x 10-1/2
• Pages: 176

This definitive study of the 1980s Jamaican Dancehall scene features hundreds of exclusive photographs and an accompanying text that capture a vibrant, globally influential and yet rarely documented culture that has mixed music, fashion and lifestyle since its inception.

With unprecedented access to the incredibly exciting music scene during this period, Beth Lesser’s photographs and text are a unique way into a previously hidden culture.

Dancehall is at the center of Jamaican musical and cultural life. From its roots in Kingston in the 1950s to its heyday in the 1980s, Dancehall has conquered the globe, spreading to the USA, UK, Canada, Japan, Europe and beyond.

This jam-packed visual history tells the story from its roots to its heights from the vantage of the true, respected insider. In the early 1980s, as Jamaica was in the throes of political and gang violence, Beth Lesser ventured where few others dared, and this book is a never-before-seen record of the exciting, dangerous world of Dancehall.

12 in x 12 in

216 pages

“I have come to the conclusion that much can be learned about music by devoting oneself to the mushroom.” - JOHN CAGE, 1954

John Cage: A Mycological Foray draws readers across the idiosyncratic, mushroom-suffused, innermost landscape of celebrated American composer John Cage. Upon the remarkable journey with Cage, one encounters assorted photographs, compositions, and contemplations; all in the very same unexpected fashion one encounters various flora and fungi species while mushroom foraging. Volume I encompasses Cage’s mycological-oriented Indeterminacy stories, Diary excerpts, and essays; and the complete transcript of Cage’s 1983 performance, MUSHROOMS et Variationes. Volume II offers the inaugural reproduction of Cage’s 1972 portfolio, Mushroom Book; authored in collaboration with illustrator Lois Long and botanist Alexander H. Smith.

John Cage (1912–92) was an American composer and music theorist. Recognized as a pioneer of indeterminacy in music, electroacoustic music and a leading figure of the postwar avant-garde, his influence extended to the realms of dance, poetry, performance and visual art.

In 1969, Andy Warhol launched Interview, an underground film journal that quickly transformed into an iconic symbol of New York City culture and style. The monthly’s expansive conversations and irreverent approach opened doors to the intimate circles of society and became a launchpad for creative talents such as André Leon Talley and Fran Lebowitz. With a vibrant mix of rising celebrities including Madonna and Leonardo DiCaprio, alongside the legendary presence of Elizabeth Taylor and Steven Spielberg, the magazine became known as “The Crystal Ball of Pop.” Now, fifty years since its inception, dive into the extraordinary archives of Interview and rediscover the columns, photography and voices that collectively tell the history of American culture decade by decade.

With an introduction from former editor Bob Colacello, essays from editor-in-chief Nick Haramis and editor-at-large Christopher Bollen, and additional contributions from Interview alumni and friends André Leon Talley, Camille Paglia, Christopher Makos, Diane von Furstenberg, Donna Jordan, Eric Boman, Fran Lebowitz, Greil Marcus, Kate Moss, Lauren Tabach-Bank, Marc Balet, Marisa Berenson, Mats Gustafson, Mel Ottenberg, Michael Kors, Paige Powell, Pat Cleveland, Pat Hackett, Patrick McMullan, Richard Turley, Sam Shahid, Sandra Brant, Shelley Wanger, Stephen Mooallem, Tama Janowitz and Victoria Bartlett.

In partnership with the upcoming release of Interview: 50 Years, Assouline and Interview magazine are pleased to announce a revolutionary collaboration with VRAccelerator. Bringing a digitally enhanced experience to an Assouline cover for the first time, readers will be able to explore every archival issue from their digital device. A never-before-seen catalog of the magazine’s extensive history, this interactive augmented reality feature also highlights exclusive audio commentaries by Interview staff.

At 1,028 pages, featuring 1,740 objects and spanning 237 years, this authoritative volume is without doubt the ultimate book on furniture design

The Atlas of Furniture Design is the most comprehensive overview of the history of furniture design ever published. The book documents 1,740 objects by 546 designers and 565 manufacturers, and features more than 2,500 images, from detailed object photographs to historical documentation such as interiors, patents, brochures and reference works in art and architecture.

The basis for the Atlas of Furniture Design is the furniture collection held by the Vitra Design Museum, one of the largest of its kind in the world, with more than 7,000 works. The collection is made up of pieces from key periods in design history and by the most significant designers and manufacturers of the past 200 years, including early industrial furniture in bentwood or metal, Art Nouveau and Secessionist objects, works by such protagonists of classical modernism as Le Corbusier, Gerrit Rietveld, Charlotte Perriand and Marcel Breuer, postwar figures such as Finn Juhl, Eero Saarinen and Achille Castiglioni, and postmodern and contemporary designers like Philippe Starck, Marcel Wanders and Konstantin Grcic, as well as the estates of design legends such as Charles and Ray Eames, Verner Panton, Alexander Girard, George Nelson and others.

Several years in the making, the Atlas of Furniture Design has employed a team of 71 authors and features in-depth essays providing sociocultural and design-historical context to the history of furniture design, as well as 551 detailed texts accompanying key objects. The book is enriched by a detailed annex containing designer biographies, bibliographies, a glossary of manufacturers and an index, along with information graphics offering a complementary visual approach to the history of furniture design. The Atlas of Furniture Design is both an encyclopedic reference tool and an indispensable resource for collectors, scholars and experts, as well as a beautifully designed object that speaks to design enthusiasts around the globe.