& son

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life Magazine, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications—released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press—include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth released his first full-length book, the acclaimed visual history Brian Blomerth’s Bicycle Day, in 2019.

Paul Stamets is a mycologist, author, speaker, entrepreneur, and leading voice in mushroom advocacy. His lectures and presentations have helped deepen the worldwide conversation around medicinal fungi, and his original research has led to discoveries in sustainability and immune enhancement. The author of six books (most recently Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness & Save the Planet), Stamets has discovered and named numerous new species of psilocybin mushrooms and is the founder and owner of Fungi Perfecti, LLC.

Description: Rechargeable, portable table lamp providing a diffused warm glow with three-step dimmer on stem.

Production Process: The base and the lamp shade are molded in polycarbonate (PC).

Materials: Molded polycarbonate (PC) base, stem and shade; dimmer button in brass.

Product Dimensions: Base: 5.5"Ø; shade: 9"Ø; total 8.8"H

Product Weight: 1 pound.

Packaging Dimensions & Weight: 9"L x 9"W x 11.4"H; 3 pounds.

Light Source: G4 3.6V; Max 3 watt LED. Dimmable LED bulb (3W, 2800K, CRI 80, 225lm) is included.  Estimated LED lifetime 25,000 hours.

Battery: Rechargeable Li-Ion 18650 2600 mAh 3.6V; charging time: 8 hours; operating time (highest light): 10 hours.

Charging Cord: 47" long black PVC Micro USB cord. 

Certification: CE; IP43.

Environment: For use in indoor and in dry outdoor conditions. Must be stored indoors.

Care Instructions: Dust with soft dry cloth or wipe with damp cloth using water only and drying thoroughly. Always switch off before cleaning.

This one-of-a-kind vase is made from a solid piece of buckeye burl, a native California wood. It is hand turned and carved in my studio in Oakland, CA. This special wood has a unique grain that differs from every angle. Gorgeous with just a single flower or two, this piece is a wonderful addition to any home. Glass vial included with purchase for fresh flowers.

Size: Approx. 2" dia x 3.5" h
Material: Buckeye Burl

Artist - Melanie Abrantes

Elegant and rustic in equal measure, the CANYON PLATE is created by layering and mixing multiple colored clays.

The well of the plate is glazed in a glossy clear glaze while the lip is left raw, creating a dynamic look and feel.

Comes in two sizes, Dinner Plate 9” and Breakfast Plate 7.5”

Dishwasher safe but not recommended.

Artist - Ivy Weinglass

Beautifully hand blown drinking glasses from Bow Glass.  

Approximately 3.5 inches wide, 4 inches tall

Both playful and graceful, each shape is milled, cut, and turned by hand. Each cup features a charred and polished interior. This charring harkens towards both Japanese 'shou sugi ban' techniques as well as the time-honored tradition of distilleries who charred the insides of their barrels before aging their precious cargo. Designed to be mixed and matched, available in cube, sphere, and geode forms.

• 2 ¼"w x 2 ¼"d x 2"h

• Food safe oil and wax finish

• Holds approx. 1.75 oz.

• Disclaimer: Not intended for use with liquids. Wood and water do not mix. 

Illustrator, musician and self-described “comic stripper” Brian Blomerth has spent years combining classic underground art styles with his bitingly irreverent visual wit in zines, comics, and album covers. With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications—released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press—include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth also produces comics which appear in Vice and Merry Jane.

Artist Peter Coffin began his work with the iconic designs of LA’s Colby Poster Printing Company in 2008. Over the years, he solicited friends to contribute their dream concerts—invented lineups for impossible gigs—and combined them with the print shop’s famously eye-popping poster backgrounds, resulting in Imaginary Concerts: a stirring, two-volume celebration of music’s vast conceptual universe. Featuring 160 concert lineups from a roster of artists, authors and daydreamers including Yoko Ono, Larry Clark, Quasimoto, Genesis P-Orridge and dozens of others, Imaginary Concerts: Volumes One and Two transport the reader into an uncannily evocative, nostalgia-tinged and personally revealing realm of musical what-ifs.

About the Author:

Peter Coffin has mounted over 30 solo exhibitions with museums and galleries including the Smithsonian Hirshhorn Museum and Sculpture Garden (Washington DC), The Barbican (London), City Hall Park (New York City), and the CCA Wattis Institute for Contemporary Art (San Francisco). Coffin’s art can be found in the collections of the Museum of Modern Art, the Los Angeles County Museum of Art, and the Guggenheim Museum, among other institutions. Music looms large in Coffin’s work and mind.

Volume One:
166 pages, Hardcover
9 inches x 12 inches

Photographer Jonathan Higbee spent years painstakingly documenting fleeting juxtapositions on the streets of New York. These intersections of passers-by, street signs, billboards, and more take on new meaning and life through the lens of Higbee’s camera: as a dancer on a stage of trash, graffiti unfurling from a backpack, to even a giant casually walking the streets of the city. Each photograph captures the wit, joy, and surrealism of everyday life in a sometimes chaotic world. Featuring new photographs, as well as seminal photos from his initial series, Coincidences is Higbee’s self-professed love letter to New York and its moments of serendipity.

Jonathan Higbee is a New York-based photographer. His work ranges from fine art to commercial, though he is often noted for his portfolio of street photography. Higbee was awarded the World Street Photography grand prize in 2015, and a LensCulture Street Photography Award in 2016. His photos have been exhibited all over the world, and have also been featured in major publications such as Huffington Post, Daily Mail, and Buzzfeed. Coincidences is his first book.

Born out of a union of club bands on the burgeoning Austin bohemian scene and a pronounced taste for hallucinogens, the 13th Floor Elevators were formed in late 1965 when lyricist Tommy Hall asked a local singer named Roky Erickson to join up with his new rock outfit. Four years, three official albums, and countless acid trips later, it was over: the Elevators’ pioneering first run ended in a dizzying jumble of professional mismanagement, internal arguments, drug busts, and forced psychiatric imprisonments. In their short existence, however, the group succeeded in blowing the lid off the budding musical underground, logging early salvos in the countercultural struggle against state authorities, and turning their deeply hallucinatory take on jug-band garage rock into a new American institution called psychedelic music. Writer Paul Drummond has gathered an unprecedented catalog of primary materials—including scores of previously-unseen band photographs, rare and iconic artwork of the era, items from family scrapbooks and personal diaries, new and archival interviews, dozens of contemporaneous press accounts, and no shortage of Austin Police Department records—to tell the complete and unvarnished story of a band which, until now, has been tragically underdocumented. Before the hippies, before the punks, there were the 13th Floor Elevators: an unlikely crew of outcast weirdo geniuses who changed culture.

Paul Drummond is a renowned antiquarian bookseller based in London. He’s the author of Eye Mind (2007), the exhaustive and definitive biography of the 13th Floor Elevators. Drummond has spent years documenting every aspect of the history of this amazing band, resulting in this comprehensive work. 13th Floor Elevators: A Visual History places the band finally and undeniably in the pantheon of innovators of American rock music to which they have always belonged.

How can thoughtfully and intentionally listening to our world inspire our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self-awareness, and mindfulness in a work that is equal parts how-to guide and contemplative artist’s workbook. Suarez’s illustrated meditations combine the open-ended freedom of Yoko Ono’s Grapefruit with the profound psychological insights of Oliver Sacks to offer a modern take on the impact of listening in a world that gets louder every day. Featuring an introduction by Bibbe Hansen—artist, Warhol star, and daughter of Fluxus cofounder Al Hansen—Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts for readers to manifest a sense of wonderment and appreciation for the intricacies of listening and the new perspectives it can bring to our daily creative worlds.

Lavender Suarez is a sound healing practitioner, meditation teacher, musician, and artist. She has hosted workshops and performed at numerous museums and artistic institutes including MoMA, the Guggenheim, the Whitney, the Hirshhorn Museum, and the Rubin Museum of Art, providing educational and meditative listening experiences. She performs and releases music under the name C. Lavender. Transcendent Waves is her first book.

In 1979, JEB (Joan E. Biren) self-published her first book, Eye to Eye: Portraits of Lesbians. In a work that was revolutionary for its era, JEB made photographs of lesbians from different ages and backgrounds in their everyday lives—working, playing, raising families, and striving to remake their worlds. The photographs were accompanied by writings from acclaimed authors including Audre Lorde, Adrienne Rich, Joan Nestle, and others. Various women pictured in the book also shared their personal stories. Eye to Eye signaled a radical new way of seeing—moving lesbian lives from the margins to the center, and reversing a history of invisibility. More than just a book, it was an affirmation of the existence of lesbians that helped to propel a political movement. Reprinted for the first time in forty years, Eye to Eye is a faithful reproduction of a work that still resonates today. This edition features additional essays from artist and writer Tee Corinne, former World Cup soccer player Lori Lindsey, and photographer Lola Flash.

JEB (Joan E. Biren) is an internationally recognized documentary artist and activist. She began to chronicle the lives of LGBTQ+ people in 1971, publishing groundbreaking books and making award-winning films. JEB, now in her 70s, lives surrounded by chosen family and frequently tries to retire from photography and filmmaking. Her plan is never to retire from social justice activism.

Hardcover
8.5 inces x 11 inches
88 pages, 41 images
ISBN: 9781944860370

Although Jim Jarmusch is best known for his storied career in independent cinema, over the years he has produced hundreds of pieces of collage art, the majority of which has been rarely seen by the public. Drawing inspiration from the largest medium of cultural documentation—newspapers—Jarmusch delicately crafts each work by layering newsprints on cardstock. Doppelgänger Andy Warhols are posed in a vast tunnel not unlike the depths of the Large Hadron Collider, Patty Hearst’s mugshots drift across Edwardian portraits, and a man’s identity is disguised with a coyote’s head: maybe he was a celebrity, politician, perp, or all three. In Some Collages, these small-scale (notecard-size) pieces not only pay homage to the documentation medium but are a reminder of how even mundane images can be reconfigured into work that is alternatively funny, scary and strange.

Jim Jarmusch is a film director, writer, musician, producer, and artist. A prominent figure in independent cinema, his notable films include Stranger than Paradise (1984), Down By Law (1986), Dead Man (1999), Broken Flowers (2005) and Only Lovers Left Alive (2013). Some Collages is his first book of collage artwork.

Hardcover
8.6 inces x 6 inches
264 pages, 146 images

Brian Blomerth first fused his singularly irreverent underground comix style with heavily-researched history in 2019’s Brian Blomerth’s Bicycle Day, a Technicolor retelling of the discovery of LSD. Now, the illustrator and graphic novelist continues his wild and woolly excursions into the history of mind expansion with Mycelium Wassonii, an account of the lives and trips of R. Gordon and Valentina Wasson, the pioneering scientist couple responsible for popularizing the use of psychedelic mushrooms in the United States. The Wassons’ journeys took them from Russian folk wisdom to midcentury Manhattan, from the indigenous traditions of the Mazatec people of Mexico to the mysteries of ancient Rome. A globetrotting vision of science and mysticism with appearances by J.P. Morgan, Robert Graves, Life Magazine, and the CIA, Mycelium Wassonii is a visual biography and a tragic love story as only Blomerth’s Isograph pen can render it.

Brian Blomerth is an illustrator, cartoonist and musician based in Brooklyn. His previous publications—released via Anthology Editions, Tan & Loose, and through his own Pupsintrouble Press—include the zines Xak’s Wax, iPhone 64: A User’s Guide, and Hypermaze. A veteran of the underground music and arts scene whose work has graced numerous album covers, Blomerth released his first full-length book, the acclaimed visual history Brian Blomerth’s Bicycle Day, in 2019.

Paul Stamets is a mycologist, author, speaker, entrepreneur, and leading voice in mushroom advocacy. His lectures and presentations have helped deepen the worldwide conversation around medicinal fungi, and his original research has led to discoveries in sustainability and immune enhancement. The author of six books (most recently Fantastic Fungi: How Mushrooms Can Heal, Shift Consciousness & Save the Planet), Stamets has discovered and named numerous new species of psilocybin mushrooms and is the founder and owner of Fungi Perfecti, LLC.